Tag Archive: poetry


Ithaka

225

As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.
By C. P. Cavafy
Translated by Edmund Keeley/Philip Sherrard

Reverse butchery

What this Reverse Butcher business?

080 082 086

Learnings:

  • book genre will impact your poetry, good material = good material; bad material = bad material
  • paint over pen = smudgey, AKA how NOT to do this, paint first THEN pen
  • don’t use a book for a creative exercise THEN decide to read it…   nuffer.

Nov13 004 - Copy

 

 

 

 

 

 

 

 

 

the toast rack of reproach
balefully squats
on the coffee table
that’s really for
tea and hospitality
and other nice things
the crooked bend
of things to do
that Newton’s forces of physics
are required to move
external impetus
gives momentum
the toast is shared out –
refreshments flow.

 

Talitha Fraser

013

In addition to the Carmelite Library in Middle Park, I have been known also to haunt the State Library of Victoria, it’s central, so so pretty, an easy place to occupy oneself before, after and between things and I love their exhibit of the written word from carved stone tablets, hand-drawn illuminated manuscripts and giant atlases to the printed word.  It is a creative space and that is what I go there and “take out”.

“Libraries are reservoirs of strength, grace and wit,
reminders of order, calm and creativity, lakes of mental energy”
– Germaine Greer (one of the big quotes on the wall)

Today I find myself in ‘LT A821 Poetry’ and I take two books off the shelf back to my spot in the carrels, called “Poems from Prison” and to contrast perhaps, “Sometimes Gladness” but, first things first, this fell out as soon as I opened it:

131130

Who is the Reverse Butcher? <obviously as I was sitting in the library, I did not know, but that’s that magic of time and connectivity, I can insert the link right here and you can have a look!>

Speaking of time – has this poem been tucked inside the book since last year or was it written then and only placed in the book today?

This is an intriguing and colourful way to communicate… it might be a fun exercise to attempt in fact – isolating words on a page to say something quite different that what the original author intended… can you still cal it an original artwork when you have literally carved it out of someone elses work? It is fascinating I think, our capacity to take things others have said or taught or done and make them our own.

How much does it cost to get postcards made up?  what is it for? what does it do? anything? Perhaps it is not its purpose to do anything but ‘be’.  Outside of the normal rules of submitting poetry this is anonymous and there are no criteria to fulfill… I’m a little #antiresidency myself, at least as far as The Establishment is concerned did it feel ironic (or clever?) to tuck it between the pages of a book on “Poems from Prison”?  So many questions!

Now, I actually copied quite a few poems out (how often do you get to hear poems written by people who are in prison after all?), this is their truth and, I think, something of their healing… I’ll limit myself to two.

I LAY DOWN WITH ME TO FORGET YOU – JACK MURRAY

I don’t want to believe
the message on your face
inches away
through the rust wine
finger-clutched smooth
by husky love promises
but my eyes
blind to all
blind to nothing
tell
that it’s true
true

But I remember when
one summer day
we held hands like children
and went into a
brand-new empty house
smelling of paint and plaster
and looking out strange windows
we could see
the wilderness over the back fence

so we made love
on the fresh-sanded floor
and your thighs
tasted of sawdust
happy but sad too
we went outside to our
mickey mouse car
with the baby on the back seat
and left

like love was
left on the stove
to stew and simmer until
all the impurities evaporated
and nothing
remained but enough tasty poison
to murder us both
or me
was I such an enemy?

You
wise but helplessly dumb
touched with a little style
guile-smart with experience but
gifted only with the power
to live your life in more sadness
than
a normal person could
think of

Four foot round the chest
I opened bottles with my teeth
tore Rod McKuen books
in half
with my bare hands
but I wasn’t strong enough
to make you happy
remember?
how could you forget
blame never alters
kind words are hard to find

—————————————————–

I WANT TO WRITE A BOOK ABOUT ANGER – ROBIN THURSTON

I want to write a book about ANGER
about how anger CAUSES things
I want to do this.  I’ll show it SUBTLY and
in various stages.
I’ll do it something like Bronte did love.
I’ll show anger in DEGREES.
I’ll build it past recompense,
demonstrating how a moment’s ANGER
can warp a whole LIFE,
and give a man a fork through his lip
or an empty eye socket,
or maim him all in a minute
to be endured forever.  The book
will be MATURE, and for adults.
It should be a masterpiece of informed
intelligent writing.

…and from “Sometimes Gladness” by Bruce Dawe (because sometimes poets can say things our spirit knows but can’t find words for)

HAPPINESS IS THE ART OF BEING BROKEN (p.37, v.2)

Always the first fragmentation
Stirs us to fear… Beyond that point
We learn where we belong, in what uncaring
Complex depths we roll, lashed by light,
Tumbling in anemone-dazzled fathoms
Seek innocence in surrender,
Senility an ironic act of charity
Easing the agony of disparateness until
That day when, all identity lost, we serve
As curios for children roaming beaches,
Makeshift monocles through which they view
The same green transitory world we also knew.

ADVICE TO AN INTERPLANETARY VISITOR

When you find him,
that last citizen,
hiding wherever there is left to hide,
too timid to surface,
living on nuts or whatever was at hand
when the flash came
– be kind to him, comfort him,
break the news to him gently
that he is the sine qua non, the ultimate reason
for everything.

Let him walk where he will,
let him reassure himself with trees, yes, and the light
walking between them, let him listen to waters
conversing like children, the rain
telling its secular tears, let him
lose himself in what was, roaming
the city streets where wires hang
like ganglia, let him touch things
and remember. Soon enough
logic may cross his brow
like an evil shadow.

When you find him
– give him your alien kindness,
stroke him with feelers of love.

It is

IMG_5087

It is so beautiful here.

Beauty seen.

If you choose the

time and inclination

to see it.

Talitha Fraser

6.30am

p.56 “Set the clock of your heart for dawn’s arrival.  Taste the joy of being awake”

I had set the reminder for the Night Watch but I wasn’t really yet asleep or yet awake or yet warm (I must have six blankets and have slept through in my long woolen cardy, ghoulish, but eventually warm).  There is a little electric fan heater but I know the energy they can go through and I like the idea that I can be active enough or layered enough or in bed enough  do not need it.  Although many of the curtains of the caravan are open or down there is no trace of dawn light yet – only darkness without and the wind.  Within my flickering candle to write by… me… and You.  In the mix of what my life is, this Awakening Hour has been the prayers I would read most often on a normal day – albeit closer to 8.30/9am – I think I like to start my day with this taste of joy and the call to be bigger than I am through somehow revealing love and light in the way that I live.  You do that for me.  Call me into a life worth living, call me into a life worth getting out of bed for. …which in fact, I will not do right now, but lie back and listen to the wind talking in the trees and watching the veil of the sky draw back.


So… Leunig… one of the question he is most often asked and is always baffled by, is what does a particular cartoon mean.  “People will say, ‘I don’t know what it means but I like it.’ And I’ll say, I don’t know either but I like it too.  I’m not trying to say anything but I hope it awakens something in you.”

…I hope it awakens something in you.

006

10am The Blessing Hour

p.80

I dwell in possibility
O Spirit of the Circling Hours,
bless me that I may be a blessing,
work through me, that I may be
your love poured out upon the earth.

I dwell in possibility.

p.82 Come into our potential with your wind and flame

Bring to our memory the truth that we are the temple out of which you pour your gifts into the world.  We are the temple from which you sing your songs.  We are the temple out of which you bless. Enable us to listen to the renewal you are trying to bring about in us and through us… May all the good that we long for come to pass.

Leunig is a blessing and, I think, Your faithful servant.  I so admire his not being constrained t o one medium or what he is “supposed” to do or say – letters, poems, paintings, cartoons, interviews, expositions, prayers – I don’t imagine there is much that Leunig holds back between contemplation of hisIMG_5082 big toe (an honest fellow) or his loneliness or his love life or his politics… this is all one and I envy that.  Even as I read/write that I am thinking to myself – whose permission am I waiting for?  to be my whole self?  I like to think I am getting there, learning – or unlearning – as the case may be.

Each day is a new day and I dwell in possibility.  This is one of the big lies of culture I think, that we ‘have’ to do these things – finish school, finish uni, get a job, get a house… do we ‘have’ to?  Once you are on the conveyor belt it can be hard to get off but I dwell in possibility.

Am I a temple?

Perhaps some other building turned to Your purpose, but the wilderness has broken in and the overhanging branches arch  protectively and let gentle dappled light through.  Let’s not renovate or do it up but make the ordinary sacred – the structures yielding to nature in time yet inside a beautiful sanctuary. Let there be gifts and songs and blessings… let it be fit for You to dwell.


12.30pm The Hour of Illumination

p.101 Let us bow to each other and pray for peace.

p.102 We pause to remember who we are: birth givers,
027peace033keepers, joy bringers, life bearers. Take heart.  We are the light of the world. in this hour of illumination let us shine into the broken places.

p.103 Trailing clouds of glory, we have come from the brightness of God.

p.105 In the middle of this day help me to stand before my life with an open heart.

This morning I wandered further along the road from the retreat centre.  I got out my new technicolored skipping rope and went up and down the road. My body memory recalling the hop-step motion of my feet and my wrists to swing forwards and backwards and side-to-side.  I imagine my movements are graceful, I suspect they are no such thing, but they feel so and I have a few moments of childlike abandon.

099106

A few months ago, I saw ‘As You Like It’ at the Botantical Gardens… it was over the top and beautiful and funny.  I was much taken with the idea of leaving [bad] love letters in the trees that did not rhyme or make sense but were somehow endearing yet for being sincerely felt.  Today I did this for You – what faltering words do I have to try and describe You or worship You that haven’t already been said before? Let’s laugh at me together and find me endearing for a whimsical love sincerely felt…

ACT III  SCENE II The forest.
[Enter ORLANDO, with a paper]
ORLANDO Hang there, my verse, in witness of my love:
And thou, thrice-crowned queen of night, survey
With thy chaste eye, from thy pale sphere above,
Thy huntress’ name that my full life doth sway.
O Rosalind! these trees shall be my books 5
And in their barks my thoughts I’ll character;
That every eye which in this forest looks
Shall see thy virtue witness’d every where.
Run, run, Orlando; carve on every tree
The fair, the chaste and unexpressive she.

 oooooooo

TOUCHSTONE For a taste:
If a hart do lack a hind,
Let him seek out Rosalind.
If the cat will after kind,
So be sure will Rosalind.
Winter garments must be lined,
So must slender Rosalind.
They that reap must sheaf and bind;
Then to cart with Rosalind.
Sweetest nut hath sourest rind,
Such a nut is Rosalind.
He that sweetest rose will find
Must find love’s prick and Rosalind.
This is the very false gallop of verses: why do you
infect yourself with them?
ROSALIND Peace, you dull fool! I found them on a tree. 90
TOUCHSTONE Truly, the tree yields bad fruit.


059


052

054

Like Leunig, I don’t suppose I am satisfied with communicating.  I want to talk to You in poems and journals, prayers, reading, walks, talks, storytelling, listening and notes left in the trees for You to find.  Bio-degradable paper with native daisy seeds in it! But I couldn’t quite bring myself to leave them up.  Others won’t know what they are made of and it wouldn’t do to antagonise or pollute in the name of God.  How am I to speak of You? How am I to speak to You? Show me the way that You would have me go, step by step and day by day, moving forwards, being found.


3.30pm The Wisdom Hour

p.125 We seek to live a more contemplative life, so that we will not have to wait until we are dying to learn to live… Give us the grace of tender seeing. Help us to recognise and honour the wise one who lives at the core of our being. May we always be open to being taught.

I had a nap in my last “hour”. I wanted to be warm and rest and rest in You. But now, as day deepens, I am out and about again.  I might pass this way but once – through the chestnut orchard, qi gong in a clearing… I tried to move like the wuthering wind and the singing bird, holding myself and the others in this space, opening ourselves to You and the tenderness that comes of that – from the holder to the touched.  I tried to get to the creek but I did not really know where I was going – all was lush and green and somewhat impassable (at least per this afternoons excursion) and I wandered away to find an old swing hanging low amidst the carpet of fallen orange leaves, walking onwards I have found a tree. A good climber. And here I am, rugged up, in my blanket, in a tree…

151

169

174

the day is good to me
feeds and fills
there isn’t really silence
just listening
becoming attuned
to the world around
and surrounding me,
to myself and to You.

Talitha Fraser

We have a little halfway house between our cabins where we can share resources… this quote from Teresa was there – so soon after the symposium!

201


6.30pm The Twilight Hour

p.144 My eyes scan the horizon of your goodness… a thousand colours is your face.

p. 145 …beautiful has been my daily bread.

p. 146 It is well with my soul.  All shall be well.
Come, sit at our table.  Be present in the bread we break and share.

205We shared communion, You and I, and I have attempted to set things in order for tomorrow as we will be leaving early – rendered slightly complicated by the power going out but here indeed is living simply after all and, possibly, my cue to go to bed at 8pm at night because it’s dark. I’m in bed and have only a warm glow of a candle to see by – pretty but perhaps not functional… at least for this.  Perhaps it depends what you are trying to do… what then by candlelight?

Candles are often romantic light. Softening edges, smoothing out wrinkles.  Gentle light for tender things like touch and feelings… holding back the dark.  I can be beautiful by this light too.  More helpful.  More comforted.  We take all of who we are wherever we go and while mistrust is a bedfellow so is faith.  While loneliness may pay a visit, faith dwells here and I am never alone.  In our darkness there is no darkness. And the softness and the sensations and sleep and serenity are all my own.


9pm The Great Silence

p.167-8 O Holy One, in whose light and shadows we 216
have journeyed through this day… Remember then…
the powerful and strong searchlight of faith… Let us place ourselves in the protective care of the angels and into the cupped hands of the Divine.

p.168-9 I yearn to be held in the great hands of your heart – oh let them take me now.  Into them I place these fragments, my life and you, God – spend them however you want.  In this hour of deep silence when all things are hushed, I carve out a space in the darkness for you, O beloved, to dwell.

One of THOSE days

040

disquieting
restlessness
unsatisfied
I become
strange
to myself again
unfamiliar
and requiring
exploration

–ooo000ooo—

do You bestir
my comfort
my certainty
in favour of
unknowing?
You always were
good at asking
difficult questions.

–ooo000ooo—

a single tear
bitter
with self pity
creeps
down my cheek
sinner

Talitha Fraser

the horizon paints it all

032

the sea and sky are moody

much like me…

I came here for perspective

I came here to be free

the wild gives you scale

it is true that I am small

but also interconnectedness

the horizon paints it all

in the system that includes all things

I have a part to play

it is enough to be and do this,

today, and every day.

Talitha Fraser

NZ Nushi Wedding 007In an earlier post I mentioned copying down titles of books of poetry in a bookshop I didn’t have time to read as using them as a springboard for my own writing… here’s a few more hacks:

inside us the dead
inside us the dead
beckon on, beckon on
witnessing, waiting,
whispering:
“what will you do?”
…will you do?
“what will you do?”
…will you do?
“you are the change
you have been waiting for”

treading water
bus, train, work, train, bus
bus, train, work, train, bus

Talitha Fraser

017

I lost my heart one day at the fair,

I held it in my hand then next thing it wasn’t there

I looked for it high, I looked for it low,

I looked for it, but knew I had to let it go.

It might get broken, or it might get tossed,

it might get stolen, it might get lost,

but maybe, I wondered, somehow, I knew

it found it’s way back and, while gone, it grew.

Talitha Fraser